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We return to this great home in the Landings.  Experience chamber music the way it was meant to be heard—in a true chamber.  Enjoy the intimate setting and the Salon atmosphere with light food and drinks included.  Sign up below.  Adults are $35pp and children are half-price (click the arrow next to the price to get the children’s price).  You do not need a PayPal account—just any major credit card.   Or call Dan at 802-369-0856 to purchase seats over the phone.  Seating will be limited so please sign up as soon as you can.

🎻 Cello Mania

Great Works for Cello and Piano by Fauré, Piatti, Paganini, Martinů, and Chopin

Niccolò Paganini (1782–1840)

Virtuoso Works for Violin, arranged for Cello and Piano
Few names in music history ignite the imagination quite like Paganini. His devilishly brilliant style, with dazzling runs and impossible leaps, set a new standard for virtuosity in the early 19th century. Though written for violin, many of his works live on through transcriptions that allow the cello to share in his fiery spectacle. In the hands of Jacques-Pierre Malan, the cello sings and sparks with Paganini’s flair, proving that the instrument of depth and soul can also dance with lightning.

Carlo Alfredo Piatti (1822–1901)

Tarantella, Op. 23
Known as the “Paganini of the Cello,” Piatti carried forward the torch of virtuosity with his own dazzling compositions. His Tarantella, inspired by the frenzied Italian folk dance, is at once playful and intoxicating. The rapid-fire bow strokes and spinning figures summon a whirlwind of sound, inviting listeners to be swept into the excitement. Beneath its technical fireworks lies the unmistakable joy of a composer who truly understood his instrument.

Bohuslav Martinů (1890–1959)

Selected Works for Cello and Piano
Martinů, a Czech modernist with one foot in tradition and the other in bold new harmonies, wrote music that pulses with rhythm and vitality. His cello works often combine folk-inspired energy with moments of lyrical reflection. In them, the piano and cello weave together like two voices in animated conversation — playful, earthy, and at times unexpectedly tender. These pieces reveal Martinů’s gift for turning chamber music into a lively, human drama.

Gabriel Fauré (1845–1924)

Élégie, Op. 24
Fauré’s Élégie stands as one of the most beloved gems of the cello repertoire. Written in 1880, it opens with a somber, haunting melody that seems to emerge directly from the soul. As the piece unfolds, the music builds to impassioned heights before returning to its original mood of resignation. It is a perfect embodiment of the French fin-de-siècle spirit — elegance laced with melancholy, beauty touched by pain.

Frédéric Chopin (1810–1849)

Cello Sonata in G minor, Op. 65
Chopin, though best known as the poet of the piano, found one of his deepest late works in his only cello sonata. Written in 1846 for his friend and fellow-artist Auguste Franchomme, the sonata is a dialogue of equals — cello and piano sharing passion, wit, and intimacy. From its turbulent opening Allegro to the wistful Largo and triumphant finale, the sonata blends Romantic drama with a private, confessional quality. In it, Chopin entrusts the cello with his most personal voice, singing as if from the very core of his spirit.

✨ Together, these works form the heart of Cello Mania: a journey from dazzling virtuosity to lyrical reflection, from the fire of Paganini and Piatti to the heartfelt poetry of Fauré and Chopin, with Martinů’s folk-inspired brilliance as a bridge between.